Audio-damage Basic User Manual

The LFO works slightly different. It is bi-polar, meaning that it can also subtract value from the Frequency control. So you’ll get the best results w

the theoretical maximum. This is, perhaps, a somewhat nonsensical description, but put the slider full, and play the notes on your controller at varyi

LFO. When it is fully on, you will hear whatever the sliders are set to. ""The AFTERTOUCH switch works in the same way. When it is on, the L

Presets: !!Basic comes with a selection of 48 presets to get you started. We’ve tried to show the full range of abilities of the synth, while providin

The information in this document is subject to change without notice and does not represent a commitment on !the part of Audio Damage, Inc. The softwa

License Agreement:!!BY INSTALLING THE SOFTWARE, YOU ARE CONSENTING TO BE BOUND BY THIS AGREEMENT. IF YOU DO NOT !AGREE TO ALL OF THE TERMS OF THIS AGR

MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, NONINFRINGEMENT OR ARISING FROM A !COURSE OF DEALING, USAGE, OR TRADE PRACTICE, ARE HEREBY EXCLUDED

Introduction: !!Thank you for purchasing Basic, our subtractive-synthesis mono-synth. This instrument, like the name suggests, is designed with simpli

Overview: !!Basic is designed to be easy to understand. For veterans of analog and digital synthesis, we assume this manual won’t be necessary at all,

Oscillators And Noise:! !!The three oscillators in Basic are the source of the audio signal. They are all identical, with the exception that OSC 2 and

Tune & Level: !!Each oscillator has, in addition to the waveform selector, a control labeled “TUNE” and another labeled “LEVEL.” The TUNE knob con

Filters: !!Basic has two filters, in a configuration known as “cascaded” or “series.” This means that the mixed signal from the oscillators passes throu